NEHN Update: Page 20 Is Live
Page 20 is live! Enjoy.
Look for the next update on Friday September 11 at 6 pm ET.
A full update is available on the last page.
Page 20 is live! Enjoy.
Look for the next update on Friday September 11 at 6 pm ET.
A full update is available on the last page.
Pages 16-19 are live! Enjoy.
Look for the next update on Friday September 4 at 6 pm ET.
NOTE: there will be no updates the last two weeks of August.
A full update is available on the last page.
Pages 13-15 are live! Enjoy.
Look for the next update on Friday August 14 at 6 pm ET.
NOTE: there will likely be no updates the last two weeks of August.
A full update is available on the last page.
Pages 11-12 are live! Enjoy.
Look for the next update on Friday August 7 at 6 pm ET.
A full update is available on the last page.
I have uploaded the next page (10) showing the second of two modes in which an artist operates (from Crow’s perspective of course): a frenzy!
Look for the next update on Friday July 31 at 6 pm ET.
A full update is available on the last page.
I have uploaded the next page (9) showing the first of two modes in which an artist operates.
Look for the next update on Friday July 24 at 6 pm ET.
A full update is available on the last page.
I have finished the next three frames (6-8) introducing the core elements of an artist’s toolbox.
I’ll plan to update by Friday July 17 at 6 pm ET.
A full update is available on the last page.
If anyone is interested in taking a look at my old unfinished story, here’s the link: https://nathanparkinson.com/brex.

I have uploaded the first few pages of the webcomic introducing our special narrator Crow.
Check for next update on Friday July 10.
A full update is available on the last page.
I am very excited to share that I am creating a webcomic called Any Here Now (NEHN)! You can learn more about the comic itself on the dedicated page: https://nathanparkinson.com/any-here-now/.
Here I want to elaborate a bit on why I’m making this. For the last year I have been working to improve the quality of my illustration through Tim McBurnie’s Line and Color Academy (LCA). Stages 1 and 2 helped me establish a consistent drawing practice and a simple, reliable process for making art. If you’ve been following along for the last year, you have seen the results of my efforts. In stage 3 I am currently focusing on making and measuring progress. The specific area of progress I have been focusing on is intentionally incorporating abstraction into my work. So far in LCA I have mostly restricted myself to single one-off images to avoid getting too involved with story. I’ve been happy with the results, but my illustrations have generally been detached from one another, except being related in subject matter or theme. Recently I have been trying to weave some story to connect my illustrations while still keeping them separate.
I’ve heard Tim say many times that creating comics is a tremendous way to improve one’s skills by increasing drawing mileage. I also fell in love with the idea of comics when I read Scott McCloud’s Understanding Comics a couple years ago. I never read comics growing up, and it’s only been in the last few years that I’ve had any considerable exposure to them at all. Therefore it’s no surprise that I had never made a comic, even though I had dabbled with the idea a few years ago and even roughly pencilled several pages before concluding it was more work than I was looking for at the time (besides, I couldn’t stand those ugly speech bubbles mucking up my pretty art!).
Recently Tim suggested I give comics a try as a way to reduce the amount of new visual library / subject matter I needed to learn with each image. I started with a 1-page comic. Next I did a 3-page comic. Writing those stories broke a dam of ideas in my mind which has been flooding ever since. I recently learned of the work of artist Minna Sundberg; I was blown away by her comics and was very inspired by her artistic journey. I also remembered the Team Fortress comics I was introduced to a few years ago; I love the way they make their comics into a sort of animatic – it’s so engaging! – so I decided to try building my own webcomic viewer to recreate that experience for my own comics; I built the viewer with the assistance of Perchance’s AI helper and am super happy with the result (you’re welcome to use it however you wish or even fork your own version): https://nathanparkinson.com/webview.
While I generally love drawing and making pictures for the sake of it, I find it so much more rewarding to incorporate my art into a story and for it to serve a purpose, not just to look pretty. So, as a way for me to draw more, develop my ability to use abstraction, tell a story with my art, and create something that might possibly matter to more people than just me, I plan to create a practice webcomic (in place of my one-off illustrations) for the foreseeable future.
Without further ado…
I completed the following illustration for the Canadian Gospel Project‘s social media.
Check out the drawing time-lapse at the following links:
YouTube | TikTok

Any Here Now is live! though quite barren at the moment.
I have planned and thumbnailed the Prologue for a first pass. I am still developing the Webcomic Viewer; that might take another few days to finish. I hope to start uploading finished pages within the next couple weeks. Check for updates July 10.
A full update is available on the last page.
On this Father’s Day Dan Berry preached a message to fathers about the importance of being a godly Father with encouragement to do so.
One important point Dan made that I want to highlight is that before God made the church He created the family; and when Paul laid out the requirements for being a pastor, he said they must first be a good father. Fatherhood is an incredibly important role that is to be honoured and taken seriously.
A fellow artist very recently shared with me the work of Minna Sundberg also known as Hummingfluff. I started reading her Christian comic Journey Upstream and I am blown away by the quality! It has opened my eyes another degree to what comics can be. I don’t know quite how to describe it visually; it’s just so beautiful. Minna has a masterful command of the medium. Here’s an early page.

I don’t want to share anymore here. Please go read it for yourself: journeyupstreamcomic.com.
She also has a wonderful testimony comic about how she came to faith in Christ. You can read that at hummingfluff.com/testimonycomic.
In this piece I tried to externalize what the evil weasel is thinking with the abstraction. There’s some interesting colour associations between the key, the gems, the extending tentacles, and the glow around the gem he’s wearing. The message: he’s got a taste of power, and he wants more.

Finished at last! This piece took a little over 20 hours across 3 weeks. I’m rather happy with the final result, though I intend for my next piece to be much simpler.
My goal with this piece was to utilize abstraction in the background in a more-intentional way; I believe I have accomplished that here; though I don’t feel I achieved quite what I’m aiming for, but I’m moving in the right direction.
I really enjoyed studying the weapons and how they connect to the baldric (shoulder belt).

Here’s a close-up to show more detail.

First illustration I’ve completed in over a week. I am starting to add more complexity and work over multiple sittings.
I pulled back a bit from the purely abstract pursuit to something that is more-reliable for me, construction-based character illustrations. But once I had the rough composition done, I thought, well, maybe I could do some abstract stuff in the background. I’m pretty happy with the result.
I’d like to create the abstraction with maybe a bit more unifying intention about the theme of what the abstraction should be or perhaps story elements that I can weave into it. This was very much just whatever I drew, but in the future I want to find a way to hone that ability to direct the abstraction and integrate it into the story of the illustration more.
