Why a Webcomic?: Any Here Now

I am very excited to share that I am creating a webcomic called Any Here Now (NEHN)! You can learn more about the comic itself on the dedicated page: https://nathanparkinson.com/any-here-now/.

Here I want to elaborate a bit on why I’m making this. For the last year I have been working to improve the quality of my illustration through Tim McBurnie’s Line and Color Academy (LCA). Stages 1 and 2 helped me establish a consistent drawing practice and a simple, reliable process for making art. If you’ve been following along for the last year, you have seen the results of my efforts. In stage 3 I am currently focusing on making and measuring progress. The specific area of progress I have been focusing on is intentionally incorporating abstraction into my work. So far in LCA I have mostly restricted myself to single one-off images to avoid getting too involved with story. I’ve been happy with the results, but my illustrations have generally been detached from one another, except being related in subject matter or theme. Recently I have been trying to weave some story to connect my illustrations while still keeping them separate.

I’ve heard Tim say many times that creating comics is a tremendous way to improve one’s skills by increasing drawing mileage. I also fell in love with the idea of comics when I read Scott McCloud’s Understanding Comics a couple years ago. I never read comics growing up, and it’s only been in the last few years that I’ve had any considerable exposure to them at all. Therefore it’s no surprise that I had never made a comic, even though I had dabbled with the idea a few years ago and even roughly pencilled several pages before concluding it was more work than I was looking for at the time (besides, I couldn’t stand those ugly speech bubbles mucking up my pretty art!).

Recently Tim suggested I give comics a try as a way to reduce the amount of new visual library / subject matter I needed to learn with each image. I started with a 1-page comic. Next I did a 3-page comic. Writing those stories broke a dam of ideas in my mind which has been flooding ever since. I recently learned of the work of artist Minna Sundberg; I was blown away by her comics and was very inspired by her artistic journey. I also remembered the Team Fortress comics I was introduced to a few years ago; I love the way they make their comics into a sort of animatic – it’s so engaging! – so I decided to try building my own webcomic viewer to recreate that experience for my own comics; I built the viewer with the assistance of Perchance’s AI helper and am super happy with the result (you’re welcome to use it however you wish or even fork your own version): https://nathanparkinson.com/webview.

While I generally love drawing and making pictures for the sake of it, I find it so much more rewarding to incorporate my art into a story and for it to serve a purpose, not just to look pretty. So, as a way for me to draw more, develop my ability to use abstraction, tell a story with my art, and create something that might possibly matter to more people than just me, I plan to create a practice webcomic (in place of my one-off illustrations) for the foreseeable future.

Without further ado…

NEHN Update: Jun 26, 2026

Any Here Now is live! though quite barren at the moment.

I have planned and thumbnailed the Prologue for a first pass. I am still developing the Webcomic Viewer; that might take another few days to finish. I hope to start uploading finished pages within the next couple weeks. Check for updates July 10.

A full update is available on the last page.

Father’s Day Sermon by Dan Berry

On this Father’s Day Dan Berry preached a message to fathers about the importance of being a godly Father with encouragement to do so.

One important point Dan made that I want to highlight is that before God made the church He created the family; and when Paul laid out the requirements for being a pastor, he said they must first be a good father. Fatherhood is an incredibly important role that is to be honoured and taken seriously.

Minna Sundberg: Christian Comic Artist Extraordinaire

A fellow artist very recently shared with me the work of Minna Sundberg also known as Hummingfluff. I started reading her Christian comic Journey Upstream and I am blown away by the quality! It has opened my eyes another degree to what comics can be. I don’t know quite how to describe it visually; it’s just so beautiful. Minna has a masterful command of the medium. Here’s an early page.

Image

I don’t want to share anymore here. Please go read it for yourself: journeyupstreamcomic.com.

She also has a wonderful testimony comic about how she came to faith in Christ. You can read that at hummingfluff.com/testimonycomic.

Key to Chaos

In this piece I tried to externalize what the evil weasel is thinking with the abstraction. There’s some interesting colour associations between the key, the gems, the extending tentacles, and the glow around the gem he’s wearing. The message: he’s got a taste of power, and he wants more.

2026 05May 13 Key to Chaos, nathanparkinson.com

Mousketeer

Finished at last! This piece took a little over 20 hours across 3 weeks. I’m rather happy with the final result, though I intend for my next piece to be much simpler.

My goal with this piece was to utilize abstraction in the background in a more-intentional way; I believe I have accomplished that here; though I don’t feel I achieved quite what I’m aiming for, but I’m moving in the right direction.

I really enjoyed studying the weapons and how they connect to the baldric (shoulder belt).

2026 05May 07 Mousketeer, nathanparkinson.com

Here’s a close-up to show more detail.

2026 05May 07 Mousketeer Close up, nathanparkinson.com

Blue Bard

First illustration I’ve completed in over a week. I am starting to add more complexity and work over multiple sittings.

I pulled back a bit from the purely abstract pursuit to something that is more-reliable for me, construction-based character illustrations. But once I had the rough composition done, I thought, well, maybe I could do some abstract stuff in the background. I’m pretty happy with the result.

I’d like to create the abstraction with maybe a bit more unifying intention about the theme of what the abstraction should be or perhaps story elements that I can weave into it. This was very much just whatever I drew, but in the future I want to find a way to hone that ability to direct the abstraction and integrate it into the story of the illustration more.

2026 04Apr 14 Blue Bard, nathanparkinson.com

Flame within

This was an interesting piece for me. It’s one of the first that I’ve completed where I was drawing abstract thumbnails with the intention of it being a weasel. I’m trying to figure out how to harness the compositional, intuitional interest of automatic drawing and doing so with intention.

I don’t absolutely love it, but I feel there’s something here I want to lean into. I am not really sure what was going on with all of the interesting shapes; I was attempting to make something interesting out of them and not have everything be totally random/ugly. I don’t really like that part, but I’m not sure how to improve upon it. I suspect I will get better ideas the more I do it. Overall, I think this piece was a win.

2026 04Apr 01a Flame within, nathanparkinson.com