props

Blue Bard

First illustration I’ve completed in over a week. I am starting to add more complexity and work over multiple sittings.

I pulled back a bit from the purely abstract pursuit to something that is more-reliable for me, construction-based character illustrations. But once I had the rough composition done, I thought, well, maybe I could do some abstract stuff in the background. I’m pretty happy with the result.

I’d like to create the abstraction with maybe a bit more unifying intention about the theme of what the abstraction should be or perhaps story elements that I can weave into it. This was very much just whatever I drew, but in the future I want to find a way to hone that ability to direct the abstraction and integrate it into the story of the illustration more.

2026 04Apr 14 Blue Bard, nathanparkinson.com

Borrowing a Colour Palette

Having impactful colours in your images can do so much for the interest, even if the quality is rough.

This is a rough illustration I did a while back.

Borrow Palette 1 nathanparkinson.com

It’s got some fun action, but the colours, contrast, and saturation are weak.

I decided to see how borrowing the colour palette from the following image by Tim McBurnie could improve my image. I paid attention to the saturation and values. I probably just used the colour picker.

Borrow Palette 2 Tim McBurnie nathanparkinson.com

This is the result of my application of that palette to the same composition.

Borrow Palette 3 nathanparkinson.com

I think it gave the impact a massive boost. I also tried to add motion blur and a bit more of a painterly quality. Now the image throbs with intensity! What happens next!?

Here’s a side-by-side comparison of the before and after:

Borrow Palette 1 nathanparkinson.com
Borrow Palette 3 nathanparkinson.com

Don’t worry, he’s okay in the end 😉

Borrow Palette 4 nathanparkinson.com

Origami Rose

Last month I dove into origami for a project I wanted to do, some physical art. Dozens of hours learning and tinkering, but I feel the result was worth it. This was my first time really trying origami or gold paint; I really like them both.

The Morphing Canvas

MorphingCanvas 12 nathanparkinson.com

A little over a year ago I wanted to improve my digital drawing/painting, fight against my perfectionist tendencies, be less precious with my work, and work more efficiently and confidently (I was probably inspired by watching Trent Kaniuga paint).

I created a square canvas with a single active layer on a gray background. I chose a pencil brush for drawing and a paint brush for painting and a single colour (I settled on dark purple). At the start of each day I spent about 30 minutes drawing on this single canvas from memory and imagination. I would take whatever was there from the day before and I would morph it into something else. I eventually began to use some white for highlights and light sources, but I only ever drew on one layer. I drew to get darker and erased to get lighter against that gray background. I came to really enjoy this process and I encourage you to try it. I got some really fun results. I think this is a great way to get back your love for drawing just for the fun of it (if you’ve lost it).

One thing I enjoyed doing was to spend 30 minutes studying some sort of reference, and then another 30 minutes drawing some “morphing art” trying to incorporate what I had just studied into the scene from memory; that was fantastic practice! My digital painting program Krita has a live recording feature which creates a new image with each brush stroke. I would save major points of change to track progress, but a couple times I saved all the images to create a time-lapse video (#MorphingCanvas). Below you will find the bigger milestones of change; there’s too many to include each step. The images are best viewed if you open them in the full-sized lightbox and use the arrow keys to flip through them. Enjoy!

The Morphing Canvas

“Change is the only constant.”

Your Turn

If you do give this a try, I’d love to see what you end up with after a month or two.

New Art Style: Pencil-digital Blend

I am excited to announce a new direction for my artwork. I have a fresh artistic style consisting of hand-drawn pencil on paper with some digital enhancements. It blends the rough, sketchy look of pencil I love so much with the clean visual impact of digital processes.

I have been illustrating my own stories with delightful results, and I look forward to offering this style for commercial projects as well.

If you are interested in having your project illustrated in this style, please reach out to me via email or Upwork. You can see example illustrations in the art collection.

Expanded Product Sketches

I created a couple product/object sketches in an expanded view for a client.

Exploded Sketch of Glasses Case by Nathan Parkinson, Digital, Apr 2024
Exploded Sketch of a Model by Nathan Parkinson, Digital, Apr 2024

Artwork shown with client’s permission

The Blessed Man

This portrait/illustration was a gift for a good friend.

“Blessed are they which hunger and thirst after righteousness: for they shall be filled.” – Matthew 5:6

The Blessed Man 2024 07Jul 12 nathanparkinson.com

Victory Bunny

A client commissioned me to create a victory illustration to be shown when a player wins a solitaire card game. Bonus points if you can find all the hidden suits 😀 ♦ ♣ ♥ ♠.

Victory Bunny by Nathan Parkinson, Digital, Jun 2024

Daniel 1: Pulse and Water

This is the fifth and final illustration for the book of Daniel chapter 1 from the Bible.

See the complete collection: Faith in Captivity.

God granted Daniel favour with his master and the boys were served vegetables and water for a ten day test. Appearing fairer and stronger than the others, their diet was changed permanently and they joyfully ate the food of faith.

Pulse and Water by Nathan Parkinson, Digital, Mar 2024